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From 'Arcades' - Poem by John Milton | Urdu Poetry

Poet : john-milton
From 'Arcades' - Poem by John Milton
O'RE the smooth enameld green 
   Where no print of step hath been, 
   Follow me as I sing, 
   And touch the warbled string. 
Under the shady roof 
Of branching Elm Star-proof, 
   Follow me, 
I will bring you where she sits 
Clad in splendor as befits 
   Her deity. 
Such a rural Queen 
All Arcadia hath not seen. 

313. From 'Comus' 

THE Star that bids the Shepherd fold, 
Now the top of Heav'n doth hold, 
And the gilded Car of Day, 
His glowing Axle doth allay 
In the steep Atlantick stream, 
And the slope Sun his upward beam 
Shoots against the dusky Pole, 
Pacing toward the other gole 
Of his Chamber in the East. 
Mean while welcom Joy, and Feast, 
Midnight shout, and revelry, 
Tipsie dance, and Jollity. 
Braid your Locks with rosie Twine 
Dropping odours, dropping Wine. 
Rigor now is gon to bed, 
And Advice with scrupulous head, 
Strict Age, and sowre Severity, 
With their grave Saws in slumber ly. 
We that are of purer fire 
Imitate the Starry Quire, 
Who in their nightly watchfull Sphears, 
Lead in swift round the Months and Years. 
The Sounds, and Seas with all their finny drove 
Now to the Moon in wavering Morrice move, 
And on the Tawny Sands and Shelves, 
Trip the pert Fairies and the dapper Elves; 
By dimpled Brook, and Fountain brim, 
The Wood-Nymphs deckt with Daisies trim, 
Their merry wakes and pastimes keep: 
What hath night to do with sleep? 
Night hath better sweets to prove, 
Venus now wakes, and wak'ns Love.... 
Com, knit hands, and beat the ground, 
In a light fantastick round. 

John Milton. 1608-1674 

314. From' Comus' 
ii. Echo 

SWEET Echo, sweetest Nymph that liv'st unseen 
   Within thy airy shell 
   By slow Meander's margent green, 
   And in the violet imbroider'd vale 
   Where the love-lorn Nightingale 
   Nightly to thee her sad Song mourneth well. 
   Canst thou not tell me of a gentle Pair 
   That likest thy Narcissus are? 
   O if thou have 
   Hid them in som flowry Cave, 
   Tell me but where 
   Sweet Queen of Parly, Daughter of the Sphear! 
   So maist thou be translated to the skies, 
And give resounding grace to all Heav'ns Harmonies! 

John Milton. 1608-1674 

315. From' Comus' 
iii. Sabrina 

The Spirit sings: SABRINA fair 
   Listen where thou art sitting 
Under the glassie, cool, translucent wave, 
   In twisted braids of Lillies knitting 
The loose train of thy amber-dropping hair, 
   Listen for dear honour's sake, 
   Goddess of the silver lake, 
   Listen and save! 

Listen and appear to us, 
In name of great Oceanus, 
By the earth-shaking Neptune's mace, 
And Tethys grave majestick pace, 
By hoary Nereus wrincled look, 
And the Carpathian wisards hook, 
By scaly Tritons winding shell, 
And old sooth-saying Glaucus spell, 
By Leucothea's lovely hands, 
And her son that rules the strands, 
By Thetis tinsel-slipper'd feet, 
And the Songs of Sirens sweet, 
By dead Parthenope's dear tomb, 
And fair Ligea's golden comb, 
Wherwith she sits on diamond rocks 
Sleeking her soft alluring locks, 
By all the Nymphs that nightly dance 
Upon thy streams with wily glance, 
Rise, rise, and heave thy rosie head 
From thy coral-pav'n bed, 
And bridle in thy headlong wave, 
Till thou our summons answered have. 
   Listen and save! 

Sabrina replies: By the rushy-fringed bank, 
Where grows the Willow and the Osier dank, 
   My sliding Chariot stayes, 
Thick set with Agat, and the azurn sheen 
Of Turkis blew, and Emrauld green 
   That in the channell strayes, 
Whilst from off the waters fleet 
Thus I set my printless feet 
O're the Cowslips Velvet head, 
   That bends not as I tread, 
Gentle swain at thy request 
   I am here. 

John Milton. 1608-1674 

316. From 'Comus' 

The Spirit epiloguizes: TO the Ocean now I fly, 
And those happy climes that ly 
Where day never shuts his eye, 
Up in the broad fields of the sky: 
There I suck the liquid ayr 
All amidst the Gardens fair 
Of Hesperus, and his daughters three 
That sing about the golden tree: 
Along the crisped shades and bowres 
Revels the spruce and jocond Spring, 
The Graces, and the rosie-boosom'd Howres, 
Thither all their bounties bring, 
That there eternal Summer dwels, 
And West winds, with musky wing 
About the cedar'n alleys fling 
Nard, and Cassia's balmy smels. 
Iris there with humid bow, 
Waters the odorous banks that blow 
Flowers of more mingled hew 
Than her purfl'd scarf can shew, 
And drenches with Elysian dew 
(List mortals, if your ears be true) 
Beds of Hyacinth, and roses 
Where young Adonis oft reposes, 
Waxing well of his deep wound 
In slumber soft, and on the ground 
Sadly sits th' Assyrian Queen; 
But far above in spangled sheen 
Celestial Cupid her fam'd son advanc't, 
Holds his dear Psyche sweet intranc't 
After her wandring labours long, 
Till free consent the gods among 
Make her his eternal Bride, 
And from her fair unspotted side 
Two blissful twins are to be born, 
Youth and Joy; so Jove hath sworn. 
   But now my task is smoothly don, 
I can fly, or I can run 
Quickly to the green earths end, 
Where the bow'd welkin slow doth bend, 
And from thence can soar as soon 
To the corners of the Moon. 
   Mortals that would follow me, 
Love vertue, she alone is free. 
She can teach ye how to clime 
Higher then the Spheary chime; 
Or if Vertue feeble were, 
Heav'n it self would stoop to her. 

YET once more, O ye Laurels, and once more 
Ye Myrtles brown, with Ivy never-sear, 
I com to pluck your Berries harsh and crude, 
And with forc'd fingers rude, 
Shatter your leaves before the mellowing year. 
Bitter constraint, and sad occasion dear, 
Compels me to disturb your season due: 
For Lycidas is dead, dead ere his prime 
Young Lycidas, and hath not left his peer: 
Who would not sing for Lycidas? he knew 
Himself to sing, and build the lofty rhyme. 
He must not flote upon his watry bear 
Unwept, and welter to the parching wind, 
Without the meed of som melodious tear. 
   Begin, then, Sisters of the sacred well, 
That from beneath the seat of Jove doth spring, 
Begin, and somwhat loudly sweep the string. 
Hence with denial vain, and coy excuse, 
So may som gentle Muse 
With lucky words favour my destin'd Urn, 
And as he passes turn, 
And bid fair peace be to my sable shrowd. 
For we were nurst upon the self-same hill, 
Fed the same flock, by fountain, shade, and rill. 
   Together both, ere the high Lawns appear'd 
Under the opening eye-lids of the morn, 
We drove a field, and both together heard 
What time the Gray-fly winds her sultry horn, 
Batt'ning our flocks with the fresh dews of night, 
Oft till the Star that rose, at Ev'ning, bright 
Toward Heav'ns descent had slop'd his westering wheel. 
Mean while the Rural ditties were not mute, 
Temper'd to th'Oaten Flute; 
Rough Satyrs danc'd, and Fauns with clov'n heel, 
From the glad sound would not be absent long, 
And old Damaetas lov'd to hear our song. 
   But O the heavy change, now thou art gon, 
Now thou art gon, and never must return! 
Thee Shepherd, thee the Woods, and desert Caves, 
With wilde Thyme and the gadding Vine o'regrown, 
And all their echoes mourn. 
The Willows, and the Hazle Copses green, 
Shall now no more be seen, 
Fanning their joyous Leaves to thy soft layes. 
As killing as the Canker to the Rose, 
Or Taint-worm to the weanling Herds that graze, 
Or Frost to Flowers, that their gay wardrop wear, 
When first the White thorn blows; 
Such, Lycidas, thy loss to Shepherds ear. 
   Where were ye Nymphs when the remorseless deep 
Clos'd o're the head of your lov'd Lycidas? 
For neither were ye playing on the steep, 
Where your old Bards, the famous Druids ly, 
Nor on the shaggy top of Mona high, 
Nor yet where Deva spreads her wisard stream: 
Ay me, I fondly dream! 
Had ye bin there--for what could that have don? 
What could the Muse her self that Orpheus bore, 
The Muse her self, for her inchanting son 
Whom Universal nature did lament, 
When by the rout that made the hideous roar, 
His goary visage down the stream was sent, 
Down the swift Hebrus to the Lesbian shore. 
   Alas! what boots it with uncessant care 
To tend the homely slighted Shepherds trade, 
And strictly meditate the thankles Muse, 
Were it not better don as others use, 
To sport with Amaryllis in the shade, 
Or with the tangles of Neaera's hair? 
Fame is the spur that the clear spirit doth raise 
(That last infirmity of Noble mind) 
To scorn delights, and live laborious dayes; 
But the fair Guerdon when we hope to find, 
And think to burst out into sudden blaze, 
Comes the blind Fury with th'abhorred shears, 
And slits the thin spun life. But not the praise, 
Phoebus repli'd, and touch'd my trembling ears; 
Fame is no plant that grows on mortal soil, 
Nor in the glistering foil 
Set off to th'world, nor in broad rumour lies, 
But lives and spreds aloft by those pure eyes, 
And perfet witnes of all judging Jove; 
As he pronounces lastly on each deed, 
Of so much fame in Heav'n expect thy meed. 
   O fountain Arethuse, and thou honour'd floud, 
Smooth-sliding Mincius, crown'd with vocall reeds, 
That strain I heard was of a higher mood: 
But now my Oate proceeds, 
And listens to the Herald of the Sea 
That came in Neptune's plea, 
He ask'd the Waves, and ask'd the Fellon winds, 
What hard mishap hath doom'd this gentle swain? 
And question'd every gust of rugged wings 
That blows from off each beaked Promontory, 
They knew not of his story, 
And sage Hippotades their answer brings, 
That not a blast was from his dungeon stray'd, 
The Ayr was calm, and on the level brine, 
Sleek Panope with all her sisters play'd. 
It was that fatall and perfidious Bark 
Built in th'eclipse, and rigg'd with curses dark, 
That sunk so low that sacred head of thine. 
   Next Camus, reverend Sire, went footing slow, 
His Mantle hairy, and his Bonnet sedge, 
Inwrought with figures dim, and on the edge 
Like to that sanguine flower inscrib'd with woe. 
Ah; Who hath reft (quoth he) my dearest pledge? 
Last came, and last did go, 
The Pilot of the Galilean lake, 
Two massy Keyes he bore of metals twain, 
(The Golden opes, the Iron shuts amain) 
He shook his Miter'd locks, and stern bespake, 
How well could I have spar'd for thee, young swain, 
Anow of such as for their bellies sake, 
Creep and intrude, and climb into the fold? 
Of other care they little reck'ning make, 
Then how to scramble at the shearers feast, 
And shove away the worthy bidden guest. 
Blind mouthes! that scarce themselves know how to hold 
A Sheep-hook, or have learn'd ought els the least 
That to the faithfull Herdmans art belongs! 
What recks it them? What need they? They are sped; 
And when they list, their lean and flashy songs 
Grate on their scrannel Pipes of wretched straw, 
The hungry Sheep look up, and are not fed, 
But swoln with wind, and the rank mist they draw, 
Rot inwardly, and foul contagion spread: 
Besides what the grim Woolf with privy paw 
Daily devours apace, and nothing sed, 
But that two-handed engine at the door, 
Stands ready to smite once, and smite no more. 
   Return Alpheus, the dread voice is past, 
That shrunk thy streams; Return Sicilian Muse, 
And call the Vales, and bid them hither cast 
Their Bels, and Flourets of a thousand hues. 
Ye valleys low where the milde whispers use, 
Of shades and wanton winds, and gushing brooks, 
On whose fresh lap the swart Star sparely looks, 
Throw hither all your quaint enameld eyes, 
That on the green terf suck the honied showres, 
And purple all the ground with vernal flowres. 
Bring the rathe Primrose that forsaken dies. 
The tufted Crow-toe, and pale Gessamine, 
The white Pink, and the Pansie freakt with jeat, 
The glowing Violet. 
The Musk-rose, and the well attir'd Woodbine. 
With Cowslips wan that hang the pensive hed, 
And every flower that sad embroidery wears: 
Bid Amaranthus all his beauty shed, 
And Daffadillies fill their cups with tears, 
To strew the Laureat Herse where Lycid lies. 
For so to interpose a little ease, 
Let our frail thoughts dally with false surmise. 
Ay me! Whilst thee the shores, and sounding Seas 
Wash far away, where ere thy bones are hurld, 
Whether beyond the stormy Hebrides, 
Where thou perhaps under the whelming tide 
Visit'st the bottom of the monstrous world; 
Or whether thou to our moist vows deny'd, 
Sleep'st by the fable of Bellerus old, 
Where the great vision of the guarded Mount 
Looks toward Namancos and Bayona's hold; 
Look homeward Angel now, and melt with ruth. 
And, O ye Dolphins, waft the haples youth. 
   Weep no more, woful Shepherds weep no more, 
For Lycidas your sorrow is not dead, 
Sunk though he be beneath the watry floar, 
So sinks the day-star in the Ocean bed, 
And yet anon repairs his drooping head, 
And tricks his beams, and with new spangled Ore, 
Flames in the forehead of the morning sky: 
So Lycidas sunk low, but mounted high, 
Through the dear might of him that walk'd the waves 
Where other groves, and other streams along, 
With Nectar pure his oozy Lock's he laves, 
And hears the unexpressive nuptiall Song, 
In the blest Kingdoms meek of joy and love. 
There entertain him all the Saints above, 
In solemn troops, and sweet Societies 
That sing, and singing in their glory move, 
And wipe the tears for ever from his eyes. 
Now Lycidas the Shepherds weep no more; 
Hence forth thou art the Genius of the shore, 
In thy large recompense, and shalt be good 
To all that wander in that perilous flood. 
   Thus sang the uncouth Swain to th'Okes and rills, 
While the still morn went out with Sandals gray, 
He touch'd the tender stops of various Quills, 
With eager thought warbling his Dorick lay: 
And now the Sun had stretch'd out all the hills, 
And now was dropt into the Western bay; 
At last he rose, and twitch'd his Mantle blew: 
To morrow to fresh Woods, and Pastures new. 
John Milton

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The poets used Urdu poetry as a medium of expression to put their thoughts forward for the readers. The Urdu poets are known for reviving romance, culture, social & political issues in the form of Urdu poetry collections. Urdu poetry is considered as an integral part of Pakistani culture. Our history is rich with numerous poetry collections from renowned poets like Mirza Ghalib, Allama Iqbal, Mir Dard, Mir Taqi Mir, and the list goes on. Allama Iqbal and Mirza Ghalib are considered to be the flag barrier of Urdu poetry. Iqbal Urdu poetry is based on philosophy, love, and for encouraging Muslims of India. Mirza Ghalib is regarded as the greatest Urdu poets of all times. They have contributed incredibly in the form of Ghazal, Hamd, Nazm, Ruba’i, Shayari and much more. Apart from them, Mir Taqi Mir and Mir Dard are known for romantic and sad Urdu poetry. Several other maestros of Urdu Poetry have been passed who added some valuable pearls and gems to the poetic collections from time to time.

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