Recitation of poetry is deeply regarded for expressing your true feelings. It has been observed that Urdu poets in the past used to say poetry that depicts the social, cultural surroundings of their era. Last Updated on Sunday, October 14 2018 ... Read more
IT was the Winter wilde, While the Heav'n-born-childe, All meanly wrapt in the rude manger lies; Nature in aw to him Had doff't her gawdy trim, With her great Master so to sympathize: It was no season then for her To wanton with the Sun her lusty Paramour. Only with speeches fair She woo's the gentle Air To hide her guilty front with innocent Snow, And on her naked shame, Pollute with sinfull blame, The Saintly Vail of Maiden white to throw, Confounded, that her Makers eyes Should look so neer upon her foul deformities. But he her fears to cease, Sent down the meek-eyd Peace, She crown'd with Olive green, came softly sliding Down through the turning sphear His ready Harbinger, With Turtle wing the amorous clouds dividing, And waving wide her mirtle wand, She strikes a universall Peace through Sea and Land. No War, or Battails sound Was heard the World around, The idle spear and shield were high up hung; The hooked Chariot stood Unstain'd with hostile blood, The Trumpet spake not to the armed throng, And Kings sate still with awfull eye, As if they surely knew their sovran Lord was by. But peacefull was the night Wherin the Prince of light His raign of peace upon the earth began: The Windes with wonder whist, Smoothly the waters kist, Whispering new joyes to the milde Ocean, Who now hath quite forgot to rave, While Birds of Calm sit brooding on the charmeed wave. The Stars with deep amaze Stand fixt in stedfast gaze, Bending one way their pretious influence, And will not take their flight, For all the morning light, Or Lucifer that often warn'd them thence; But in their glimmering Orbs did glow, Untill their Lord himself bespake, and bid them go. And though the shady gloom Had given day her room, The Sun himself with-held his wonted speed, And hid his head for shame, As his inferiour flame, The new enlightn'd world no more should need; He saw a greater Sun appear Then his bright Throne, or burning Axletree could bear. The Shepherds on the Lawn, Or ere the point of dawn, Sate simply chatting in a rustick row; Full little thought they than, That the mighty Pan Was kindly com to live with them below; Perhaps their loves, or els their sheep, Was all that did their silly thoughts so busie keep. When such musick sweet Their hearts and ears did greet, As never was by mortall finger strook, Divinely-warbled voice Answering the stringed noise, As all their souls in blisfull rapture took The Air such pleasure loth to lose, With thousand echo's still prolongs each heav'nly close. Nature that heard such sound Beneath the hollow round Of Cynthia's seat, the Airy region thrilling, Now was almost won To think her part was don, And that her raign had here its last fulfilling; She knew such harmony alone Could hold all Heav'n and Earth in happier union. At last surrounds their sight A Globe of circular light, That with long beams the shame-fac't night array'd, The helmed Cherubim And sworded Seraphim, Are seen in glittering ranks with wings displaid, Harping in loud and solemn quire, With unexpressive notes to Heav'ns new-born Heir. Such musick (as 'tis said) Before was never made, But when of old the sons of morning sung, While the Creator Great His constellations set, And the well-ballanc't world on hinges hung, And cast the dark foundations deep, And bid the weltring waves their oozy channel keep. Ring out ye Crystall sphears, Once bless our human ears, (If ye have power to touch our senses so) And let your silver chime Move in melodious time; And let the Base of Heav'ns deep Organ blow And with your ninefold harmony Make up full consort to th'Angelike symphony. For if such holy Song Enwrap our fancy long, Time will run back, and fetch the age of gold, And speckl'd vanity Will sicken soon and die, And leprous sin will melt from earthly mould, And Hell it self will pass away, And leave her dolorous mansions to the peering day. Yea Truth, and Justice then Will down return to men, Th'enameld Arras of the Rain-bow wearing, And Mercy set between, Thron'd in Celestiall sheen, With radiant feet the tissued clouds down stearing, And Heav'n as at som festivall, Will open wide the Gates of her high Palace Hall. But wisest Fate sayes no, This must not yet be so, The Babe lies yet in smiling Infancy, That on the bitter cross Must redeem our loss; So both himself and us to glorifie: Yet first to those ychain'd in sleep, The wakefull trump of doom must thunder through the deep, With such a horrid clang As on mount Sinai rang While the red fire, and smouldring clouds out brake: The aged Earth agast With terrour of that blast, Shall from the surface to the center shake; When at the worlds last session, The dreadfull Judge in middle Air shall spread his throne. And then at last our bliss Full and perfect is, But now begins; for from this happy day Th'old Dragon under ground In straiter limits bound, Not half so far casts his usurped sway, And wrath to see his Kingdom fail, Swindges the scaly Horrour of his foulded tail. The Oracles are dumm, No voice or hideous humm Runs through the arched roof in words deceiving. Apollo from his shrine Can no more divine, With hollow shreik the steep of Delphos leaving. No nightly trance, or breathed spell, Inspire's the pale-ey'd Priest from the prophetic cell. The lonely mountains o're, And the resounding shore, A voice of weeping heard, and loud lament; From haunted spring, and dale Edg'd with poplar pale, The parting Genius is with sighing sent, With flowre-inwov'n tresses torn The Nimphs in twilight shade of tangled thickets mourn. In consecrated Earth, And on the holy Hearth, The Lars, and Lemures moan with midnight plaint, In Urns, and Altars round, A drear, and dying sound Affrights the Flamins at their service quaint; And the chill Marble seems to sweat, While each peculiar power forgoes his wonted seat Peor, and Baalim, Forsake their Temples dim, With that twise-batter'd god of Palestine, And mooned Ashtaroth, Heav'ns Queen and Mother both, Now sits not girt with Tapers holy shine, The Libyc Hammon shrinks his horn, In vain the Tyrian Maids their wounded Thamuz mourn. And sullen Moloch fled, Hath left in shadows dred, His burning Idol all of blackest hue, In vain with Cymbals ring, They call the grisly king, In dismall dance about the furnace blue; The brutish gods of Nile as fast, Isis and Orus, and the Dog Anubis hast. Nor is Osiris seen In Memphian Grove, or Green, Trampling the unshowr'd Grasse with lowings loud: Nor can he be at rest Within his sacred chest, Naught but profoundest Hell can be his shroud, In vain with Timbrel'd Anthems dark The sable-stoled Sorcerers bear his worshipt Ark. He feels from Juda's Land The dredded Infants hand, The rayes of Bethlehem blind his dusky eyn; Nor all the gods beside, Longer dare abide, Not Typhon huge ending in snaky twine: Our Babe to shew his Godhead true, Can in his swadling bands controul the damned crew. So when the Sun in bed, Curtain'd with cloudy red, Pillows his chin upon an Orient wave, The flocking shadows pale, Troop to th'infernall jail, Each fetter'd Ghost slips to his severall grave, And the yellow-skirted Fayes, Fly after the Night-steeds, leaving their Moon-lov'd maze. But see the Virgin blest, Hath laid her Babe to rest. Time is our tedious Song should here have ending, Heav'ns youngest teemed Star, Hath fixt her polisht Car, Her sleeping Lord with Handmaid Lamp attending: And all about the Courtly Stable, Bright-harnest Angels sit in order serviceable. John Milton
Urdu Poetry – Poetry is the language of heart. Emotions and feelings take the shape of words and are delivered in a poetic manner. Urdu poetry draws its existence from past 18th and 19th century which are rich in tradition and composed in various forms. Most of the Urdu poetry derives from Arabic and Persian origin. From time immemorial, Urdu poetry has been written and narrated by renowned poets of all times. Urdu poetry is enriched with such true emotions and feelings. It has been observed that Urdu poets in the past used to say poetry that depicts and highlights the social, cultural issues of their era.
The poets used Urdu poetry as a medium of expression to put their thoughts forward for the readers. The Urdu poets are known for reviving romance, culture, social & political issues in the form of Urdu poetry collections. Urdu poetry is considered as an integral part of Pakistani culture. Our history is rich with numerous poetry collections from renowned poets like Mirza Ghalib, Allama Iqbal, Mir Dard, Mir Taqi Mir, and the list goes on. Allama Iqbal and Mirza Ghalib are considered to be the flag barrier of Urdu poetry. Iqbal Urdu poetry is based on philosophy, love, and for encouraging Muslims of India. Mirza Ghalib is regarded as the greatest Urdu poets of all times. They have contributed incredibly in the form of Ghazal, Hamd, Nazm, Ruba’i, Shayari and much more. Apart from them, Mir Taqi Mir and Mir Dard are known for romantic and sad Urdu poetry. Several other maestros of Urdu Poetry have been passed who added some valuable pearls and gems to the poetic collections from time to time.
Urdu poetry has evolved and revolutionized from time to time. Previously tough Persian and Arabic words are used for narrating the Urdu poetry. Later use of simpler Urdu words have taken over and are used more oftenly. Poets like Ahmed Faraz, Parveen Shakir, Faiz Ahmed Faiz have added some valuable Urdu poetry collection that are loved and praised by masses to date. New subject matter, themes are used by new poets that has modernized Urdu Poetry. The various forms of Urdu Poetry available for the readers includes Ghazal, Hamd, Marsiya, Naat, Nazm, Qasida, Masnavi, Naat, Qawalli, Ruba’i, Shayari and much more. The poetry lovers can stock their libraries and houses with the enormous treasure of Urdu poetry. The collection of Urdu Poems in the form of Dewan and Kuliyat are preferred by those who have a taste for traditional poetry. Allama Iqbal and Mirza Ghalib have immense contribution to the Urdu poetry.
The Urdu poetry collection of Ghalib and Iqbal are researched, read and shared by masses worldwide.The modern Urdu poets possess a progressive and practical state of mind that is far from the narration of female beauty and romance. Urdu Ghazals has been associated with emotions earlier, but now the trends are changing to give it a completely new domain of expression. Many Urdu poets become popular because of their Romantic poetry include Ghazal Ahmed Faraz, Habib Jalib, Sagar Siddiqui, Muneer Niazi, Mohsin Naqvi, Farhat Abbas Shah and many others.
The archive of HamariWeb provides the evergreen Urdu poetry collection for the viewers. Some of the finest gems of Urdu Shayari are Munir Niazi, Allama Iqbal, Faiz Ahmed Faiz, Ahmed Faraz, Mirza Ghalib, Habib Jalib, Parveen Shakir, John Elia, Syed Wasi Shah to name a few. You can even search, post, read, and share the Urdu poetry based on various genres that includes Eid poetry, sad poetry, patriotic poetry, love poetry, rain poetry, mother poetry, Islamic poetry etc. People with great taste in poetry are glued to this page. Find some of the finest and latest collection of Urdu poetry on HamariWeb.